CIGARS AND THE MENTAL HEALTH CRISIS

Alright, let’s talk about finding your footing, maybe even your sanity, in this wild existence, and how some folks have tied that search to a good cigar. You hear it sometimes, usually from a fella leaning back in a worn leather chair, a plume of smoke curling up towards the ceiling: “There’s nothing quite like a good cigar to help you think.” And you know what? There’s a sliver of truth in the feeling of that statement, if you peel back the layers.

See, a lot of what we chase in this modern world – the mindfulness apps, the deep breathing exercises, the silent retreats – they’re all about creating a space. A quiet space, a deliberate space, where the buzzing anxieties of the day can recede, and you can actually hear yourself think. For some, the cigar, with its slow burn and ritualistic preparation, offers a similar kind of doorway. It’s not a fast-food cigarette; it’s a commitment. You pick it out, you cut it, you light it with purpose. There’s a deliberate unhurriedness to it, a forced pause in the frantic pace of modern life.

You see it in history, too. Guys like Churchill, famous for his wartime stoicism, always with a cigar. The image persists: the thoughtful leader, the contemplative figure, enveloped in a haze of Cuban smoke. And let’s be honest, there’s a certain undeniable aesthetic to it, a whiff of old-world gravitas that can feel grounding in an increasingly digital, ephemeral world.

Some men, in particular, talk about it as a male equivalent to, say, knitting or journaling – a quiet, solitary pursuit that allows for introspection. I’ve even heard of men’s groups, the kind where you’re supposed to get together and actually talk about what’s rattling around in your head, using the cigar as a shared, unthreatening focal point. A bit of a social lubricant, a way to break the ice and settle into a comfortable silence before the deeper conversations begin. In an age where technology often shoves us further apart, where genuine conversation gets lost in the endless scroll of a phone screen, we need to actively pursue fellowship. And sometimes, a shared cigar can be that unexpected bridge. You see folks of all ages and stages of life, from grizzled old-timers with stories etched into their faces to young fellas just starting out, gathered around a table or on a porch, the shared ritual of the smoke opening up lines of communication that might otherwise stay closed.

And then you had old Mark Twain. That fella smoked cigars like they were going out of style, which, thankfully for his later years, they weren’t. Twain was a wordsmith, a humorist, a keen observer of the human condition, and he famously declared, “I have made it a rule never to smoke more than one cigar at a time.” A man of simple, yet profound, principles.

Now, why did Twain chain-smoke cheap stogies? Part of it was the times. It was simply what men did. But if you read his writings, you get the sense it was more than just a habit. For a mind as restless and prolific as his, those cigars were probably a kind of anchor. A way to focus. Imagine trying to wrangle those sprawling narratives, those sharp observations, those biting satires without some kind of physical rhythm to accompany the mental one. The puff and draw, the slow unraveling of the tobacco, it could have been his personal metronome for thought. A way to slow down the world long enough to put his ideas on paper. He even talked about buying them by the barrel, claiming the worse they tasted, the more he liked them – a true connoisseur of the mundane, perhaps, or a man so deeply entrenched in the ritual he didn’t even care about quality anymore, just the process. He was creating, always creating, and those cigars were undoubtedly part of his creative process, a constant companion in the solitude of composition.

So, if you’re looking for that contemplative space, that moment to unwind and think straight, the appeal of the cigar for some is clear. It’s a classic image, a perceived shortcut to tranquility. It offers a structured pause, a sensory engagement that can draw a busy mind into the present moment. The ritual itself becomes a form of mindfulness, a deliberate act that demands your attention away from distractions and towards the immediate sensations: the feel of the wrapper, the scent of the smoke, the subtle taste on the palate.

In this way, for some, the cigar can function as a tangible tool for stepping back. It’s a way to punctuate the day, to mark a transition from work to relaxation, or from social chatter to quiet reflection. It’s a deliberate act of carving out time for oneself, a moment to simply be with one’s thoughts, whether those thoughts are about solving a problem, appreciating a sunset, or simply enjoying the company of friends in comfortable silence. It’s about finding that personal rhythm, that beat that helps a restless mind slow down and settle.

The appeal of the cigar for some, I get it. It’s a classic image, a perceived shortcut to tranquility. It’s about the conscious choice to engage in a deliberate, unhurried activity that fosters introspection and presence. And for many, in the right setting and frame of mind, that can be a powerful thing.

UNDERCROWN MADURO BY DREW ESTATE

You know, sometimes you come across something that’s built on the back of a legend, but it’s still got its own grit. Like a good, solid hunting knife that might not be a custom job, but it’ll hold an edge and get the work done. That’s kind of how I look at this Drew Estate Undercrown Maduro.

Drew Estate, they’re known for those infused sticks, the ones that smell like a dessert cart. But then they dropped the Liga Privada #9, and that thing was a beast – full-flavored, a real treat. The problem with those top-shelf items, though, is they are not always easy to come by, or easy on the wallet. So, what do you do? You get resourceful.

The Undercrown, from what I gather, was born out of that kind of thinking. The folks rolling the Liga Privada in the factory, they put their heads together and figured out how to use similar tobaccos – stuff that’s more readily available – to make something that hits a lot of the same notes, but without the sticker shock. It’s a notch down in strength from the #9, sure, but sometimes, you don’t need to be wrestling a grizzly bear; a good black bear will do just fine.

This particular stick, the Undercrown Maduro, comes out of Nicaragua, a country that knows a thing or two about growing good tobacco. For about $12, you’re getting a solid piece of work. The wrapper is an Otapan Negro Último Corte, which sounds like something you’d find deep in the jungle. The binder is a T52 Connecticut River Valley Stalk Cut & Cured Habano, and the filler is a blend of Brazilian Mata Fina & Nicaraguan Cuban Seed. That’s a serious mix of dirt and sun right there. And the overall composition? Is Good, Really Good.. The strength on this one sits right in the Med-Full range, which means it’s got some backbone but won’t knock you flat.

First Third: Out of the Gate

You light this thing up, and the first few draws give you a solid, familiar feeling. I got a real sense of oak notes, mixed in with some dark coffee and a rich, almost bitter chocolate. But then, something interesting started to peek through – a hint of dark cherry. I was sipping on a classic Coke with this, and I gotta tell ya, it almost gave it this whole cherry coke vibe. It wasn’t overpowering, just a nice little twist, like finding a patch of wild berries on a long walk. It felt natural, not forced.

Second Third: Settling In for the Long Haul

As you get into the middle, that strong dark coffee and chocolate really take center stage. It’s the kind of deep, robust flavor that sticks with you, like a good, strong brew on a cold morning. Every now and then, I’d catch a whisper of leather and it was never the star of the show.

Now, a word of advice here, and it’s a practical one: take your time with this cigar. If you get too eager, drawing too quickly, and it starts to burn hot, it can get a tad bitter. It’s like trying to rush a stalk; you gotta be patient, let things develop, or you’ll spook the whole show. Slow and steady wins the race with this one.

Last Third: Bringing It Home

The final third of this Undercrown stayed true to form. It was still very enjoyable, consistent with the rest of the smoke. It didn’t fall apart on me, didn’t get harsh or unpleasant, which is a real mark of good craftsmanship.

I usually run through at least three of any cigar before I put my thoughts down, just to make sure I’m not getting a fluke. And I can tell you, this Undercrown did not disappoint me in any of those experiences. It’s a very good maduro to keep on hand, a reliable tool in the kit. In fact, I’m genuinely elated to have two more sitting in my humidor right now. It’s the kind of smoke you can count on, and sometimes, that’s all you really need.

CAVALIER GENEVE TRES DELINCUENTES CONNECTICUT

Alright, let’s talk about the Tres Delincuentes from Cavalier Geneve. I recently spent some time with this particular cigar, and I’ve got some thoughts. Hailing from Honduras, this Robusto (5×50) comes wrapped in a Connecticut Ecuador leaf, secured by a Habano Ecuador binder. The core is a blend of Habano Nicaraguan, Piloto Dominicano, and Habano Honduras.

At eleven dollars, it falls into a reasonable price point for a cigar of its size and stated components. Most places, you’ll find it under the $12 mark, and if you’re lucky, some spots might even have it for under $10. The wrapper, as advertised, is on the delicate side, requiring a careful hand. A few minor touch-ups were necessary during the burn, but nothing that detracted significantly from the experience.

Now, let’s break down the journey this cigar takes you on. The first third presented with clear notes of earth and a pleasant nuttiness, all underpinned by a subtle creaminess. As I moved into the second third, those initial flavors persisted, but a new guest arrived: a fleeting, almost ethereal hint of something very light, like citrus or perhaps a distant fruit. However, the most noticeable and welcome addition here was a distinct vanilla note, which really elevated the profile. By the last third, it became a harmonious combination of all the preceding elements, thankfully without that brief, almost-missed citrus note.

The profile itself leans toward mild to medium. This isn’t a cigar designed to overwhelm the palate, nor does it present an aggressive nicotine kick. Instead, it offers a nuanced progression of flavor that unfolds subtly. It’s the kind of smoke that complements reflection, perhaps after a day spent outdoors, or when you’re simply seeking a moment of quiet contemplation. While it won’t demand your full attention with bold assertions, its gentle complexity offers enough engagement to make it a worthwhile companion. All in all, this was a great cigar for the price range it’s in, delivering a consistent and enjoyable experience.

Now, it would be a miss not to tell you how I happened upon this particular cigar. Frankly, it wouldn’t have been on my radar, as I typically gravitate towards darker, more robust companions. This cigar was a happy surprise from my bi-monthly (they do offer monthly, but I prefer the bi-monthly) bundle of non-banded cigars from Standard + Twain. If you haven’t heard of this company, allow me to sing their praises and strongly encourage you to visit their website at www.standardandtwain.com and explore what they offer. (This is NOT a paid review.) Their story is a truly an engaging one, marked by a timeless commitment to cigars and a nod to the old paper written by the one and only Mark Twain. Like Twain, they (and I, for that matter) believe a good cigar shouldn’t be judged solely by its price, its band, or even its box. So, they remove the original band and replace it with a QR-coded blank band. You smoke it, take notes with the provided card, and form your own opinion before scanning the code to reveal its identity. I won’t tell you which month or specific number this cigar was, as I wouldn’t want to spoil the fun for anyone who might stumble upon this review and subscribe. I will certainly be reviewing more cigars from this subscription in the future, as I genuinely love this concept!

Finally, I can’t wrap this up without mentioning my pairing for this particular smoke (Again, not paid for this plug), because it was simply excellent! I brewed some Black Rifle Coffee at home specifically their Bourbon blend. I added a touch of Chobani Sweet Cream to it, and the combination with this cigar was truly amazing. I highly recommend both the coffee and the creamer I used; they are, without a doubt, the best I’ve had so far. If you made it thus far I appreciate you more than you know. If you enjoy the reviews please recommend it to a friend or two so we can grow this community together. If you have a particular cigar, accessory, or pairing you’d like to know more about, shoot me an email at buffalonickelcigarreview@gmail.com, and I’ll do my best to help out!

EL MAGO MIAMI ART DECO

El Mago’s Miami Art Deco: No Frills, Just Flavor

This Miami Art Deco from El Mago is a damn solid stick. At 6×52, it’s got some heft to it. Wrapped in an Ecuadorian Habano that looks slick and feels good in the hand, smelling straight up like sweet tobacco – no fancy perfume here. Lit this bad boy up in my studio, where the air’s thick with good smoke.

First few puffs of this thing hit you with buttery bread – sounds soft, but it’s a real, honest flavor. Then you shoot that smoke back through your nose, and BAM! Spice. Not some delicate flower spice, but a good, solid kick that wakes your palate up.

Digging into the second third, things get a little earthier. You start tasting leather and wood, (slightly nutty) subtile but good. There’s a hint of creaminess hanging around, smoothing things out, but that spice from the start is still lurking in the background, keeping things interesting.

The final third is where this cigar shows its muscle. All those flavors get richer, bolder. That buttery bread, leather, wood, and spice all crank up a notch. It’s a full-on flavor bomb by the end.

This ain’t some flimsy cigar that falls apart on you. The construction is top-notch, and the draw is just right – not too tight, not too loose. Burned pretty darn even, only had to touch it up once.

If you’re a fan of Habano, this Miami Art Deco won’t let you down. It’s got the flavor you’re looking for, plain and simple.

Drank it with water this time, but I’m telling you, this thing would go down great with a sweet whiskey or bourbon. Scratch that – a dark rum would be the real play here. Something with some backbone to stand up to this cigar.

Heads up, greenhorns: If you’re new to this cigar thing, take it easy on the last third. This ain’t a beginner’s puff. It starts medium-full, but that end will sneak up on you with a good dose of strength.

Bottom line: The El Mago Miami Art Deco is a well-built, flavorful cigar that delivers. No fancy talk needed. It’s a damn good smoke.